
I've been to the theater twice so far this summer and enjoyed both movies quite a bit. The two were very different in many ways, but I came away from both thinking on the same theme.
Pixar's latest,
UP, which will very likely earn the studio their first Best Picture nomination
with the Academy's new rules, was just as marvelous as its predecessors. Erica and I recently tried to name our top five favorite Pixar movies and had an extremely difficult time. Each one is just as great as the next.
The emotional poignancy is perhaps its greatest strength. It starts in the first ten minutes and it remains on the surface for the rest of the film. But its character development is admirable, too, particularly with a woman named Ellie. In the first five minutes, we meet her at a very young age. In the following five minutes, we watch her life silently unfold. That's all we see, but in those ten minutes alone, we not only
know her, we
love her, just as much as her husband does.
Its unlikely heroes--a cantankerous elderly man, a mostly helpless boy scout, a charming talking dog--are tackled in a way completely endearing and with depth rather than with one-dimensional gimmicks or innuendos for the adults.
And its most important theme, along with the need for community and relationships, is that the extraordinary adventures of life are found in the everyday and ordinary. The heroes we find on TV aren't all we make them out to be, and the real heroes are the close friends we find along the way. It's Russell admitting it's the boring things he misses the most, it's Carl finding the real adventure inside his wife's adventure book.

The other film is
Sugar, from the same writers/directors of one of my all-time favorites
Half Nelson. It's the story of a Dominican baseball player that makes it to the minor leagues in the states, one step closer to the ultimate dream of playing the major leagues. It is ultra-realistic in its approach, and winsome in the everyday characters it portrays.
It succeeds extremely well in its tale of culture-shock, and even shows an interestingly real picture of American Christianity: kind and hospitable, sweet and innocent, but ultimately a bit out of touch. It's a fascinating perspective on a subculture larger than we realize, an overlooked demographic of immigrants.
Most surprising about
Sugar is its propensity for side-stepping expectations. Whatever you think is going to happen, well, never does. It never takes the typical screenplay route; don't even expect to see a simple victory, let alone a ninth inning or a championship. On one hand, this makes for a film refreshingly real. On the other hand, it leaves you wanting a bit more from the plot. But that could very well be intentional. Sure, it could easily give us big underdog victories and satisfied dreams, but we've all seen that movie plenty of times before and it hasn't left us with a joy that's any more lasting.
Along those lines,
Sugar ultimately presents a theme similar to
UP. The big dreams aren't all they're cracked up to be and neither is being the hero. In the end, pursuing the joys in everyday things including relationships and personal interests are just as fulfilling, and probably more so.
Is it just me, or is this an incredibly refreshing theme to see in summer films? The typical romances are telling you not to be content in your mundane marriage. The typical action flicks are telling you not to be content in your 9 to 5 job. The typical thrillers are telling you not to be content being a nobody.
UP and
Sugar, on the other hand, confront these misleading messages and reassure us that there is in fact joy and contentment in being married, in sitting in your favorite chair next to your beautiful wife, in selling balloons for a living, in eating French Toast for every meal, in woodworking, in playing ball with friends at the community sandlot.
It's Ecclesiastes, looking everywhere in everything the world offers for meaning, joy, and contentment, and ultimately finding it all meaningless, joyless, and unfulfilling. Something within the human nature longs for significance in fame and fortune and success and wild adventure. Films like
UP and
Sugar seem to say to me that significance and adventure come from following Christ, giving and receiving love in relationships, appreciating his
"good and perfect gifts" in the everyday and commonplace, or as Ecclesiastes concludes,
in fearing God and keeping his commandments. Perhaps all this is one small part of what Christ was getting at when he tells us about his peace, saying,
"I do not give to you as the world gives." No, he gives in a way unexpected and subtle, but so much better and infinitely more lasting.