There's a pretty hip little alternative-music-culture center down the street from us. Feels a little unusual for a town like ours, but it seems to enjoy some success. I've wanted to visit for a good 11 months or so, but have always had a reason not to: not quite my genre certain nights, or another obligation, or otherwise exhausted.
But when the new season launched in September, I read about bands doing shows for kids and of course I was immediately interested. I think it only happens four times this year. I listened to one long enough to realize it wouldn't be a waste of money, and one day the kid and I walked over to buy our tickets.
Turns out this band,
Moriarty, is actually quite popular around here. Popular enough to have two gold records in France and to play all the largest clubs in Paris with some amount of regularity. Turns out the show later that night was sold out pretty quickly. Turns out this 4PM kids show also ended up being sold out. Not a bad gig to get in on, then.
Now, don't be confused, this isn't kids music. It's your average folk-rock-alt-country-(in-all-the-good-ways)-with-some-strong-grooves-telling-you-they-probably-listen-to-some-funk-and-soul-in-their-spare-time that would normally be listened to by adults. The only trick is that it's super easy to listen to, even if you're a kid, and so why not share it with them too?
And if this were to be done in the States, we'd introduce each of the band members, they'd say some goofy stuff, we'd introduce the instruments, throw around some music jargon, and take advantage of the teaching moment. Most times I believe it'd be a sort of very open, transparent, sometimes silly learning environment. That's not bad, but that's not France.
We've heard from quite a few sources that "seduction" is a key element to the French culture. We Americans instantly get nervous with the word, but it really doesn't have an implicit sexual meaning like it does for us. So try and erase that definition for the moment. Instead it's simply making things aesthetically pleasing in an attractive sort of way that captures and keeps the attention. Perhaps "enchanting" is a better word for our American minds.
And that's exactly what this production was.
An actress came out first, a sort of prop for holding attention spans when the music would inevitably begin to fail. She was named Isabella. When she had discovered the band was late, she tucked herself in and went to sleep on the front of the stage. The band tiptoed out, took their places, and whispered, "Let's try not to wake her." And with that, they slyly slipped into their first song "
Isabella."
From then on, never once did any of them break character or interrupt the show, with enough curious visual elements and instrument changes (and a few animal masks, balloons, and bubbles along the way) to keep things interesting. The kid had been insisting that afternoon that he didn't want to go, and he spent 15 minutes of waiting before the show with his hands over his ears insisting it was too loud. But as soon as the music started, the hands dropped and his eyes were fixed. I caught him tapping his feet, and toward the end he joined in clapping when each song finished. I think he was enchanted, too.
To introduce my favorite song of the afternoon, the singer explained, "This is a song about a friendship between a mermaid and a tiger. You know what a mermaid is?" Ouiiiiiiiii. "And a tiger?" Ouiiiiiiiiiiii. "Where does a mermaid live?" l'océan! "And where does a tiger live?" la jungle! "And so everybody might say that a friendship between a mermaid and a tiger is impossible. But, it is possible."
This is Moriarty, "Beasty Jane" from
The Missing Room